This piece was published in this month's issue of our community magazine, Living @ sun City Carolina Lakes. I thought it might interest others of my readers who live elsewhere, or who might be so young that they don't even recognize the name James Dean (or even Elvis!)
Mention
the name James Dean, and people of our generation think of a loner, a
disillusioned, surly, misunderstood Rebel
Without a Cause. He will always be young to us because he died so young.
James
Dean would be 84 now, and we wonder not only what he might look like, but what
he would have achieved had he lived as long as many of us have. Sixty years ago
on this day in 1955, he died in a car crash. We do the math and realize that he
was only 24. Only 24, and he had three major movies to his credit.
Indiana-born
and raised, Dean moved to California in 1949 to start his post-high school
education. He began in pre-law but soon changed his major to drama, something
he’d studied and liked in high school. By 1951, he had dropped out of college
and was acting in minor roles on television and in the movies. Listening to
good advice, and having made some good connections, Dean moved east to New York
City. This was the time of live studio presentations, and Dean appeared in
productions for Studio One, The Kraft Television
Theatre, Robert Montgomery Presents, and
Omnibus.
On the Kraft Television Theater |
In
1952, Dean was admitted to the prestigious Actors Studio to study acting under
the master, Lee Strasbourg. From Bea Arthur to Joanne Woodward, the
alphabetical list of Actors Studio alumnae includes dozens of names like Anne
Bancroft, Marlon Brando, Lee J. Cobb, Julie Harris, Elia Kazan, Walter Matthau,
Paul Newman, Al Pacino, Sidney Poitier, and Eli Wallach. Dean studied among the
best actors, writers and directors of the day.
Today,
movies are just one of the many pastimes we can enjoy, but during the early
fifties, movies were a major source of entertainment. Almost everyone knew of
the major movie stars and the movies they were in. 1954, in one of the earlier
Cinemascope movies, Dean was selected for the role of Cal Trask in Kazan’s
production of John Steinbeck’s best-selling novel, East of Eden. Portraying the son of an idealistic, sanctimonious,
successful farmer, Dean’s character wanted little except to gain his father’s
approval.
with Raymond Massey in East of Eden |
Right
after East of Eden, released in March
1955, Dean continued on in the clash of generations, this time in the starring
role. Rebel Without a Cause was an
exploration of the confusion and frustrations of middle class suburban
teenagers. Dean and his character, Jim Stark, became cultural icons, perfectly
representing the so-called angst of the teenagers of the time. Such was its
impact, that the movie, released a month after his death, was banned in some
countries that feared it would contribute to juvenile delinquency. In other
countries it was released with several scenes removed.
Dean’s
last movie, released in 1956, was a co-starring role in the film version of
Edna Ferber’s epic Giant, a story of
the lives of a wealthy Texas family and the people surrounding and serving
them. Dean died before the release of these last two films. He was nominated
for two posthumous Academy Awards for Best Actor for his roles in East of Eden and in Giant
Giant |
Dean,
who owned motorcycles and fast sports cars, became interested in auto racing.
He had ambitions of racing in the Indianapolis 500, but filming schedules put a
stop to that. He did race in several local California races, and was on his way
to one in Salinas when he collided with a car turning out on to the road. That
driver walked away, Dean’s passenger was hospitalized, but Dean died at the
scene. Thousands gathered for his funeral, and because of the accident his
coffin was closed. Earlier that same year, photographer Dennis Stock had
followed Dean around from coast to coast and to his home town of Fairmount,
Indiana. While there at a local department store, by very eerie coincidence,
Dean decided to pose in a coffin.
yes, eerie. |