Here's another article I wrote for our community magazine's current issue. I've read many complete mystery series, and none have pleased me more than those of Donna Leon and Louise Penny. I recommend them highly.
Many mystery and suspense writers invest quite a bit of time
and pages in fleshing out their characters. Once established in the minds of
their regular readers, they can dispense with a lot of background details. From
the beginnings of these types of fiction, many of the main characters have
become household names: Sherlock Holmes, Hercule Poirot, Brother Cadfael, Jason
Bourne, George Smiley, Kinsey Millhone, and, of course, James Bond – the list goes
on. Readers become great fans of these characters, and most of them have found their
way into the big-screen and TV movies.
Two newer characters that can be added to this list, movies
included, are Guido Brunetti and Armand Gamache. There are now twenty-six
Brunetti novels since the series began in 1992, and thirteen Gamache novels
since 2005.
I had Brunetti in my head long before the series started, and he doesn't look like this - and never as scruffy. |
Donn Leon’s Commissario Guido Brunetti plies his trade in
Venice, “La Serenissima.” From the first novel, Death at La Fenice, the opera house, to the most recent, Earthly Remains, published in April
2017, readers know that Brunetti will investigate a murder or two and, usually,
some connected nefarious doings in and around the city. He’ll have the help of
some on-going, memorable colleagues and characters at the Questura, the police
headquarters, and he’ll invariably head home for lunch. Your mouth will water
as you read what wonderful things the family is having for lunch. The dishes
are so memorable that Leon gathered the recipes into A Taste of Venice: At Table with Brunetti, otherwise known as
“Brunetti’s Cookbook.”
The solving of the crimes and the discovery of the several interconnected
mysterious situations make for intriguing reading. While reading the books, and
they can be read in almost any order, you might want to send for the handy,
plastic-coated “Streetwise Venice” map from Amazon, to help you follow Brunetti
around the city on foot and by water. Next time you visit there, you can book a
tour of “Brunetti’s Venice.”
This is close to the Gamache in my head. |
Louise Penny’s Chief Inspector Armand Gamache is headquartered at la Sûreté du Québec. While Brunetti’s only problem at headquarters is an inept, social-climbing superior, Gamache, while looking into his many cases, is also combating a few back-stabbing, scheming colleagues. His personal and professional problems are a backdrop to the case at hand. Though he travels a bit through Quebec and Montreal, most of his cases take place in and around Three Pines, a very small, mythical hamlet in Quebec’s Eastern Townships. After reading just the first novel in the series, and it is best to read them in order, most readers want to pack up and move to Three Pines. In 2015, St. Martin’s Press, Louise Penny’s publisher, printed a map of Three Pines, and several lucky readers were able to acquire one. Though, like me, they found it to be almost like the map in their heads, it was a case of “almost but not quite.” Like the personalities and quirks of the dozen or so recurring characters, the personality and quirks of Three Pines etch themselves into memory. The first book in the series is Still Life, the most recent, out this past August, is Glass Houses.
Louise Penny's publisher, St. Martin's Press, published a map of Three Pines. I was lucky enough to receive one. |
You can always tell how widely anticipated are the novels of
these two award-winning writers, by the great discounts that mount up at Amazon
in preorders in advance of their next publications. The discount usually gets
up to at least a third off the publisher’s cover price. Be warned though, you
might be up all night: they are not “hard boiled”, neither are they your “cozy”
mysteries, but the books are really “page-turners.”
You may want to read my blog on "The Maps in Our Heads" here,
or "Mapping an Authoris Landscape" here.
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